Issue Nº 04 · The Cannes Edition
Cinema, Culture & the New Era of Influence.
An international editorial platform exploring the future of cinema, storytelling, brands, artificial intelligence and cultural influence — from the Croisette to the world.
Featured Stories
Cover Story · Cinema
Didier ZAKINE
In his new exhibition, WE ARE ALL CONNECTED SOMEHOW, presented in Cannes during the Cannes Film Festival, French artist Didier Zakine transforms the Festival’s iconic red carpet into a contemporary artwork imbued with memory and symbolism.
His work begins with a simple yet powerful gesture: reclaiming an ephemeral object destined to disappear and giving it a new artistic life.
Through folds, rhythms and fragments of material, Zakine turns this symbol of cinema into a visual and emotional experience. The exhibition explores the relationship between image, memory and time, in a constant dialogue between the sacred and the popular.
At La Malmaison, overlooking the Mediterranean and just steps from La Croisette, his works take on an almost architectural dimension (see attached image).
Cannes
Sheep in the Box screens
The Palme d’Or winner returns to Cannes Competition with a 127-minute near-future drama starring Haruka Ayase as a mother who replaces her dead son with a humanoid robot. Neon holds US, UK and Australia rights. Sales via Gaga and Goodfellas.
There is a question that hovers over every great filmmaker’s late career: what do you do after you have made your masterpiece?
Brands & Culture
Spain at Cannes 2026
For the first time ever, three Spanish productions compete for the Palme d’Or simultaneously — Almodóvar, Los Javis and Sorogoyen lead a delegation that stretches across every section of the 79th edition, which kicks off tonight on the Croisette.
The poster says everything you need to know about the spirit Cannes has chosen to project in 2026.
The 79th Festival de Cannes, which opens tonight and runs through May 23, has placed Susan Sarandon and Geena Davis’s iconic Thelma & Louise on its official artwork, marking 35 years since Ridley Scott’s outlaw road movie rewrote the rules of what a film about women could look like and who it could speak to.
Cannes.
Volume II · The Croisette Files
Where the world’s cinema still meets in person.
From the steps of the Palais to the after-hours of the Hôtel Martinez, La Croisette covers Cannes as a living institution — its rituals, its rooms, its rising voices and the quiet machinery of taste that still moves global film.
The la Croisette
Inés Torremocha
Some titles summarise a book. Others encapsulate an entire life. Life Is Sales belongs to the latter category.
Behind this statement lies not an invitation to turn every conversation into a transaction, but a different way of understanding human relationships.
The la Croisette
Jorge Loza
AI Boost Experience
The Festival’s First Immersive AI Pavilion
Inside the Croisette’s new official space dedicated to artificial intelligence in cinema and storytelling.
— A La Croisette Initiative —
Global Boost Awards
A global movement where cinema, artificial intelligence and purpose-driven brands converge — with editions in Cannes, Berlinale and beyond.
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